- #OWNER OF ROUND HOUSE IN THE GIRLFRIEND EXPERIENCE 2009 HOW TO#
- #OWNER OF ROUND HOUSE IN THE GIRLFRIEND EXPERIENCE 2009 MOVIE#
The film plays much more like an experimental film of the 1970s like A Woman Under the Influence or Bob & Carol and Ted & Alice. What Doesn’t: Viewers who demand traditional narrative are likely to be put off by the style of The Girlfriend Experience. The suggestions of the film run deep and put a human face on economics while questioning what personal consequences result from a capitalist system. With characters small talking about the bailout of Wall Street, discussing their own domestic and economic hardships, and showing the exchange of trust, services, and money, The Girlfriend Experience implies that the main character’s line of work is not all that different from the way the world of business operates. Soderbergh has used the story of an escort set against the current economic crisis to make this film a penetrating examination of capitalism and of the human factors involved in a business transaction.
Instead, The Girlfriend Experience has a cold and sterile quality about it and Sasha Grey’s detached performance coveys a woman who is bored by her life and who is emotionally vacant. It does not portray her as a victim or as a fallen woman nor does the film glamorize her livelihood. But what really stands out about The Girlfriend Experience is that it avoids all the stereotypical pitfalls that films about prostitution often fall into. The Girlfriend Experience is told in a nonlinear fashion and is skillfully edited and shot.
The Girlfriend Experience fits into the latter category and among that collection of films, this is the best picture Soderbergh has ever made. What Works: Steven Soderbergh is a filmmaker whose work can be sorted into two distinct categories: one is star-driven, mainstream entertainment like Oceans 11 and the other is experimental, intimate films like Bubble. Christine seems to understand that ultimately she is alone, that only she can help herself to the top.Premise: The film follows a high-class escort (Sasha Grey) in New York as she meets with clients and interviews with a writer researching her line of work.
#OWNER OF ROUND HOUSE IN THE GIRLFRIEND EXPERIENCE 2009 HOW TO#
At times, she comes across like Elisabeth Moss’s unformed Peggy in the first season of “Mad Men,” but ultimately we can sense that she’s no pushover, that she knows how to use her power. She projects wide-eyed innocence as she finds her way into the world of prostitution, but she also seems empty enough to take it on without a lot of emotional damage, and ambitious enough to learn very quickly how the job works and what the men who hire her are looking for. The characters even seem distant from themselves. We watch Christine become more and more ensconced in her two jobs, and we see her lives threaten to crash into each other, and still, everything seems to be happening at a distance. Christine’s dates, and her personal sexual encounters, too, have the same remote quality as everything else on the show. There’s plenty of sex, of course, but I didn’t find those scenes to be especially Showtimey, by which I mean somewhat gratuitous and heated up. They all seem to be on the same page, which gives the story - told in 13 half-hour episodes - a remarkably confident flow.
#OWNER OF ROUND HOUSE IN THE GIRLFRIEND EXPERIENCE 2009 MOVIE#
with two episodes, is loosely based on the 2009 movie by Steven Soderbergh, who executive produces for Starz and who has two people - Lodge Kerrigan and Amy Seimetz - writing and directing. The Starz show, which premieres Sunday at 8 p.m. Once I got used to the numbed-out vibe, I found the show to be an elegant, haunting, fascinating, and timely nightmare. The ideas that fuel the show - that people will do all kinds of risky things for cash, that the world of big money and the world of escorts share plenty in common, that everything is a kind of legal negotiation - are durable enough to yield many rich parallels and contrasts. Gradually, as the action toggles between the two worlds, it gains a mesmerizing and addictive rhythm. The show is a canny look at business and capitalism, as it follows Christine Reade (Riley Keough) from her sexual assignations to her internship at a high-end law firm.
The overall effect made me think of the movie “American Psycho,” which was so chilly, urbane, and menacing.Īnd yet, in its own muted way, “The Girlfriend Experience” won me over. The sets - bedrooms and offices alike - are uniformly sterile and modern, the characters are coolly subdued and generally speak in tranquil tones, and the atmosphere is willfully calm, almost unnervingly so as the show quells any hints of dramatic explosions, sometimes threatening to burst wide open but never doing so. “The Girlfriend Experience,” about a Chicago law student who decides to moonlight as a call girl, doesn’t try to win you over.
0 kommentar(er)
